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Sunday, 26 January 2014 14:30

TAGKC would prefer group registration over individual registration, let program committee know if you need assistance finding a group. TAGKC will consider the Individual Registrations for only ages 12 and above. Parents or Volunteers who are interested to teach a group can contact TAGKC Cultural Committee. Parents can organize a group of 6 or more kids for an item and should be responsible for teaching the kids. TAGKC has the discretion to add more participants to the group in case group entry is received with less than 6 participants.

Program committee may make changes to the groups as necessary

If you have trouble sending the form, email your form to This email address is being protected from spambots. You need JavaScript enabled to view it. and a confirmation email will be sent. Registrations will be processed on a first come first serve basis. TAGKC Executive team thanks you for your participation. Please see the rules of participation below.

Rules for Cultural Programs

Each registering participant should be of age 3 years or above to perform.

Each item performance should be within 5 minutes time limit.

Each participating group should consist of minimum of 6 kids to register.

It is mandatory that all participating artists and choreographers must register for the cultural conference.

All programs must be in Telugu except for classical dances. However we do welcome special acts irrespective of language given prior permission from Program Committee under special category of Patriotism.

All registered participants should be current/2016 TAGKC members.

TAGKC prefers not to allow the participants to participate in more than one program for better planning and to give the opportunity to all the interested participants.

Items should be of high quality and captivating to the audience.

All items will be reviewed by an audition/screening team, Program committee led by TAGKC Program Chair for quality, length, presentation and appropriateness.

Participants are advised to wait for the confirmation of their participation from Cultural committee and TAGKC will not be responsible for any rehearsals that participants undergo without approval.

Group items will be given priority over solo items in general.

The composition of each classical dance must contain both Abhinaya and Nritya.

CDs with audio items should be labeled with performer name(s).

Selected performers are required to bring their own costumes, settings and any other required stage decorations for their performance, unless agreed in writing by the Committee ahead of time.

The decision of Cultural Committee is always final. Decisions of the committee will be communicated to the artists by the due date as announced by TAGKC committee.

No gifts and awards nor appreciations are allowed by participants to their coordinators keeping TAGKC interest in view.

No participant is allowed to represent TAGKC unless a prior written permission is given by the Program Committee.

Props and costumes will make a lot of impact, so, all performances should include props and good costumes as much as practical and appealing to the audience.

If you need further clarification, please don’t hesitate to contact Cultural committee by email(This email address is being protected from spambots. You need JavaScript enabled to view it.)

 

Friday, 28 February 2014 11:14

Indian scientists have played a stellar role in the development of India. In the short span of its post-independence history India has achieved several great scientific achievements. Our scientists have proved their mettle in the face of international sanctions and have made India one of the scientific powerhouses of the world. Here is a brief profile of famous Telugu scientists.

Yellapragada Subba Rao, Dr. Raj Reddy, Suri Bhagavantam, Yelavarthy Nayudamma, G.K.Podila, Dr D. Bap Reddy, Dr N N Murthy, Kallam Anji Reddy, Mahidhara Nalini Mohan Rao.

Friday, 28 February 2014 11:13

India has a rich past. Right from the ancient times till Independence, India fought against foreign invasions with great courage and valor. Below are the greatest Telugu freedom fighters.

Uyyalawada Narasimha Reddy, Alluri Sitaramaraju, Arutla Ramachandra Reddy, Potu Narasimha Reddy, Vedre Ramachandra Reddy Bhoodhan, Potti Sreeramulu, Anabheri Prabhakara rao, Veerapandiya Kattabrahman, Kaneganti Hanumanthu, Sarojini Naidu, Tanguturi Prakasam, Pingali Venkayya, Prof N.G. Ranga, Gouthu Latchanna, Durgabai Deskmukh, Kandukuri Veeresalingam, Kaloji Narayana Rao. 

Friday, 28 February 2014 11:13

Telugu literature or Telugu Sahityam is the body of works written in the Telugu language. It consists of poems, stories, dramas and puranas. Telugu literature has a rich and long literary tradition.

Nannaya, Tikanna and Yerrapragada (or Errana) are known as the Kavi Trayam, the trinity of poets or the three great poets. This Trinity translated the Mahabharata from Sanskrit into Telugu over the period of 11-14th century AD, and became the idols for all following poets.Nannaya, Tikanna and Yerrapragada (or Errana) are known as the Kavi Trayam, the trinity of poets or the three great poets. This Trinity translated the Mahabharata from Sanskrit into Telugu over the period of 11-14th century AD, and became the idols for all following poets.

Nannaya: Nannayabhatta (1022–1063AD – also referred to as Nannaya), started to translate the Sanskrit Mahabharata into Telugu on the request of the East Chalukya king Rajaraja Narendra. This marks the beginning of Telugu literature, which has yet been uncovered. This work has been interpreted in the Champu style and emotes such simplicity and polishing and of such high literary excellence, that several scholars do not dismiss the possibility of the existence of literary works in Telugu during the pre-Nannaya period. Although there is evidence of Telugu literature before Nannaya, he is given the epithet Aadi Kavi (“the first poet”) because he was the first to establish a formal grammar of written Telugu

Tikkana: Tikkana (1205–1288 AD) furthered the work from Nannaya. He was the second poet of the “Trinity of Poets (Kavi Trayam)” that translated Mahabharatamu into Telugu over a period of centuries (11th to 14th centuries AD). Nannaya translated two and a half parvamulu (books) of Mahabharatamu. Tikkana translated the remaining books starting from the 4th, leaving the half finished third book, Aranya Parvamu (the Book of Forest), for Yerrapragada. Tikkana did not touch this part because it was considered to be inauspicious to translate this book, which was left half-finished by Nannaya.

Yerrana: Yerrapragada (also known as Errana) started the remaining half of the Aranya Parvamu with the style of Nannaya and ended it with the style of Tikkana as a bridge between the parts translated by Nannaya and Tikkana. As they did, he used half Sanskrit and half Telugu in his Telugu translation of Sanskrit Mahabharatamu. He was honored with the title Prabandha Parameshwara (the supreme lord of Prabandha).


Gonabudda Reddy (13th century): Gonabudda Reddy is known for his Ranganatha Ramayanam which is a pioneering work on the theme of Ramayana in Telugu. The whole work comprises seven khandas (parts). The work has become a part of the Andhra cultural life and is also used by puppeteers for their shows

Srinathudu (14th century): A poet of immense calabre Srinathudu lived in the 14th century. His poetic works include Marutarat-charitra (Tale of King Marutta),Saalivahana Sapta Sati (100 tales of Saalivahana), Palanaati Veera Charitra (Tale of Heroes of Palnatu), Kasi Khandam (Legends of Kasi), Bheema Khandam and Hara Vilasam (The Glory of Lord Shiva) which is considered to be an outstanding piece of literature.

Bammera Potana (15th century): Potana, who lived in the later part of the 15th century is believed to be the author of Narayana Satakamu (The Hundred Verses of Narayana), Veerabhadra Vijayamu (Tale of Victoroius Veerabhadra), Bhogini Dandakamu (The Poem of Bhogini) and also the great classic Andhra Mahabhagavathamu (The Mahabhagvatam of Andhra). It is a Telugu rendering of the Srimad Bhagvatam of Ved Vyasa. This book of Potana is known for its excellent narrative style and the art of versification.

Sri Krishnadevaraya (16th century): A renowned emperor of the famous Vijaynagar kingdom, Sri Krishnadevaraya is also known for his great epic Amukta Malyada (A Garland Dedicated to the Lord). The whole work of Amukta Malyada has a grand poetic style and the work blends the eternal and the temporal in a masterly fashion even as it unfolds an interesting tale.

Pingaliu Soorana (16th century): Soorana was a pioneering figure in the field of Telugu classical poetry of the medieaval age. He has to his credit mainly three works Raghavapandaviyam a dyvarthi-kavya, Kalapurnodayam (Full Blooming of Art) and Prabhavati Pradyumnam. Kalapurnodayam has been hailed as the first original poetic novel in Telugu literature.

 Paravastu Chinnayya Soori (1807-1861) Who does not know Sri Chinnayasoori among us? He was one of the most famous pandits of the 19th century. He was born in 1807 in Perambur of Chengalpattu distt. and died in 1861. He was a Saivaite. Sri Cninnayasoori was a Telugu pandit in the Govt. college of Madras. He dedicated his entire life to the progress and promotion of Telugu language and literature.

Gurajada Venkata Appa Rao (1862-1915): Hailed as the father of Modern Telugu literature, G.V.Appa Rao blazed a new ttail in play-writing as also in poetry and short story Kanyasulkam (Bride-Price) is one of his outstanding plays 

Sunday, 26 January 2014 14:30

PLEASE BE ADVISED that the purchase and/or use of this ticket shall constitute the unconditional acceptance to be bound by any and all of the terms and conditions herein contained. The purchaser and/or holder (hereinafter referred to as "You" or "Your") of the ticket ("Ticket") unconditionally agrees that the Ticket is a revocable license ("License") to attend the event ("Event") for which it was issued and may be revoked at any time for any reason without compensation. You understand that the Ticket cannot be replaced if lost, stolen or destroyed and You unconditionally accept the risk of loss and/or theft of this Ticket. You understand that the resale of the Ticket at a price greater than face value is absolutely prohibited. You understand that the Ticket is not redeemable for cash. You agree that if the ticket was obtained from an unauthorized source, it may be lost, stolen or counterfeit and if so is worthless and void. The resale or attempted resale of this ticket at a price higher than the official purchase price from EVENT ORGANIZORS/ TAGKC is grounds for seizure and cancellation without compensation. The only valid tickets are those purchased from TAGKC.ORG, TAGKC.NET, ETVPT.COM, SULEKHA, and other TAGKC Approved Vendors and stores in town.

You understand that the EVENT ORGANIZORS/ TAGKC reserves the right to cancel, postpone, and/or change, the venue, artists, time, and/or date of the vent for which the Ticket was issued at any time without prior notice or compensation to You. Such cancellation, postponement, and/or change to the venue, artists, time, and/or date of the Event shall not entitle you to a refund or any other reduction in the Ticket price or compensation. YOU UNCONDITIONALLY UNDERSTAND THAT ALL TICKET SALES ARE FINAL, THERE WILL BE NO TICKET REFUNDS AND/OR TICKET EXCHANGES. THIS IS A RAIN OR SHINE EVENT. Lost or stolen tickets cannot be replaced – store your tickets in a safe place. Audio and/or video recording of the Event is strictly prohibited.

If you need further clarification, please don’t hesitate to contact Cultural committee by email(This email address is being protected from spambots. You need JavaScript enabled to view it.)

Thursday, 31 July 2014 17:12

 

Sunday, 11 May 2014 07:30
TAGKC : July 8th -11th :
వేసవిలో వెన్నెల -
అన్నమయ్య సంకీర్తనల శిక్షణా శిభిరం
Annamayya Workshop
by Sobha Raju
 
 
 
 
TAGKC & HTCC:July 11th Fri @ 7 PM:
Durga Dance Ballet by:
Smt. Hemamalini &
Sri. Madhavapeddi Murthy
 
Shawnee Mission NW Auditorium
 
 
 
 
TAGKC: July 12, Saturday At: 6:30PM
Dr. Sobharaju Concert
వేసవిలో వెన్నెల -
అన్నమయ్య పదకవితాలాపన  
డా. సోభారాజు గారిచే కచేరి.
 
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